Paper Panels

Richard Allen (Aberystwyth University):
Performing the Object/Avoiding the Subject: The Object as Postdramatic Gesture.

Broderick Chow (The Central School of Speech and Drama):
Objects of performance and relational aesthetics: an alternative strategy for the theatre and visual arts.

Nesreen Hussein (Royal Holloway, University of London):
Time as Body, Body as Object, Object as Time: A Case of Materiality.

Matt Fletcher (Southampton Solent University):
Theatre as Relationship.

John Keefe (London Metropolitan University & Queens University (Canada) International Study Centre):
The Material Body – Actor and Spectator.

Michael Spencer (Associated Courses in Theatre Design):
Audience & Presence.

Trish Reid (Kingston University):
On Anthony Neilson's Work.

Andy Smith (International Film School Wales):
Post-dramatic Chekhov: The Seagull in Close-up.

Carmen Szabo (University College Dublin):
Suspended Between Human and Machine – Representations of the Post-Human in Performances by Stelarc and Operating Theatre.

Elizabeth Mills (University of Cape Town):
Sonic materials, acoustic spaces and actor agency...

Mary Oliver (Salford University):
And that’s not all folks: Introducing the cartoon performer.

Cormac Power and Matt Cummins (Northumbria University):
Symbolising the Material/Energising the Immaterial:
'Energy' as a Material Process in Theatrical Experience.

Ken Coker (Nottingham Trent University):
Less wet water; some observations on lighting design for performance.

Rene Baker (Theatre Institute Barcelona):
Letting Materials Speak.

Liat Rosenthal (The Central School of Speech and Drama):
Research undertaken on the MA Advance Theatre Practice: Puppetry and Object Theatre.

Matt Smith (Liverpool Institute of Performing Arts):
Why do contemporary theatre makers use puppetry as part of the stage space?

Song Jungmin 'A Dressmaker'.

Sean Myatt (Nottingham Trent University):
Instinctive Object Ramblings.

Greer Crawley (University of Vienna and Zurich University of the Arts): Modelmaking and the Spatial Imagination.

Rachel Hann (University of Leeds):
UnRealised Theatres / Theatres Realised.

Joanna Parker (The Central School of Speech and Drama):
To be inhabited spaces.

Jonathan Petherbridge (London Bubble Theatre Company).
Showing film extracts of Open Performance Work with London Bubble Theatre Company

Peter Rumney (Nottingham Trent University):
What is the matter? The matter is that young people do not think that theatre is 'for them'...

Dessislava Stoitcheva (British Council, Bulgaria):
How do we find, attract, develop and keep our theatre audiences?

In Association with

Bartlett School of Architecture
Independent Street Arts Network
Mander & Mitchenson
Yael Farber at the Barbican
Workshops at the V&A

Exhibitions

Bartlett Project
Costume Archive

Installations

Bar of Ideas
Knackers Yard
Paka and Surveillance van

In Residence

Eleanor Margolies
Metis Arts
Present Attempt
Tessellate
Things on Fire Theatre Company

Participatory Workshops

Acoustic Theatre Imprints - Elizabeth Mills, University of Cape Town.

From prop to protagonist.
Rene Baker - Theatre Institute Barcelona and Ramón Ivars.

An introduction to how we hear the world.
Using sound in theatre - practical low-fi techniques for beginners.
Gareth Fry and Carolyn Downing

Objects and Obstacles, Movement for Actors
Natalia Fedorova, Moscow Art Theatre School.

Locomotion: The Ability To Move From One Place To Another Or Locomotion : Action De Se Deplacer D'un Lieu A Un Autre (Synonymes : Déplacement, Voyage, Marche, Traction, transport).
Projet in situ Company - Martin Chaput and Martial Chazallon.

Is it real or are we pretending?
Jon Davison, Creative Research Fellow, CSSD

CETT: Theatre Materials Year 2007-8
Curriculum Projects

Complicite
Handspring
Kinetika
Feminist Neo-Burlesque
Graeae